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While some groups make gigantic leaps from album to album, others grow gradually, and e.s.t.has a tendency to move forward in smaller increments, with each new album retaining a sense of the familiar while still forwarding new ideas that distinguish one release from the next. Semblance Suite In Three On For Movements: Part Il 6.
As we approach a vote on the UK's membership of the European Union, we look at what 50 writers, actors, historians, artists and comedians have said about Europe and its nations.
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Esbjörn Svensson Trio have long been favourites at the London Jazz Festival, but this evening was different: it was a tribute to their pianist-leader Svensson, who died last summer in a scuba-diving accident, aged 44.
A video shown of Elevation of Love, from EST's Seven Days of Falling album, with its lyrical, flowing piano lines, and warm intensity from the 2003 London Jazz Festival, was a reminder of how totemic the jazz trio has been in the evolution of 21st-century European jazz.
Svensson's mother is a classical pianist, and his father a jazz fan, his eclectic background reflected in his distinctively new European take on modern jazz.
Berglund said that, when he joined the band in the early Nineties, he knew within the first few numbers of playing with them how his life would change.Even more than before, reflects the diverse musical tastes of the band.A recent "Musician's Playlist" article at Jazzviews found the trio citing influences as diverse as Pat Metheny, Deep Purple, Radiohead, Brad Mehldau and The Sweet, and could only come from a group of players informed by sources as much outside the jazz frame of reference as from within. Semblance Suite In Three On For Movements: Part IV 8. Semblance Suite In Three On For Movements: Part Ill 7. has clearly developed a number of personal stylistic markers.